Monday, July 06, 2015


I often get emails from the energetic Deniz Selcuk, who, judging by his name, is a Turk.  I assume he is a he but I could be wrong.  He could be a she.  I know nothing about the naming conventions of Turkish and suspect that I never will.

Deniz is obsessively interested in creativity.  He scours the net for possibly relevant information about it.  Even so, he fell into what I gather is a rather common trap.  He assumed that there was such a thing as creativity.  More precisely, he asssumed that there was a general trait of creativity.  There are of course individual  creative acts but there is no such thing as a generally creative person.

In that way it differs from IQ.  A person who approaches one problem intelligently is highly likely to approach other problems intelligently, even quite different problems. IQ generalizes,  Creativity does not.

I managed to convince Deniz that he was wrong, which is a compliment to his open-mindedness, but I thought I should also mention here some of the things that I told him.

So how do I know that there is no such thing as creativity?  Three  ways:  From a reading of the research on the topic, from known facts and from personal experience.  I am not actually up to date with the latest research but the findings were quite consistent  when last I looked at them so I doubt that much has changed.  The finding was that a person creative in one field might be knowledgeable about other fields but was creative only in his own specialty.

And that brings me to known facts.  How many great painters were also great composers?  None.  A lot of distinguished (and undistinguished) people paint in their latter years but that is about it.

And that brings me to a Canadian lady I once knew rather well: "B".  She was head of a rather large art school here in Brisbane that formed part of one of our universities.  So the visual arts were clearly her thing.  But in her home she did not have a single device (stereo, hiFi etc) for playing music. Music hardly existed for her.  Her daughter had a small portable device but that was it.  I have no idea how creative "B" was in any visual art but she must have gained some distinction to be in the job she held.  But there was clearly zero chance of her being creative musically.

And I am much the same.  I have only one narrow field of creativity: Scientific writing.  I would not have over 200 academic journal articles in print without that.  I write only for blogs these days but I think I do that to the same old standard of care.

But is academic writing creative?  Not always.  It is just hack stuff a lot of the time.  But the hack stuff mostly doesn't get published.  The journal editor and his referees have to find something interesting in the paper to pass it for publication. They commonly accept only around 10% of what they see.

And to be interesting, you have to be creative to at least some extent.  You have to have something new to say.  That made things easy for me.  I see things from a conservative/libertarian viewpoint whereas journal editors in the social sciences almost invariably see things from a Leftist viewpoint.  So my writings were rather amazing to them. Leftists live in their own little self-constructed mental bubble that insulates them from disturbing non-Leftist thought so bursting into that bubble delivers surprise.

Leftists don't like irruptions into their bubbles, however, so what I was saying had to be very strongly defended.  My research had to be very "waterproof".  But it was, so I got published.  My usual trick towards accomplishing that was to do real sampling.  Your average Leftist psychological researcher does no sampling at all.  If he wants to find out what people think and why, he just hands out a bunch of questionnaires to his students and accepts the findings from that as valid for all people for all time.  That shows, of course, the utter intellectual poverty of most Leftists.

My approach, by contrast, was to go and knock on randomly selected doors in some big city and talk to an actual representative sample of real people!  I talked to "the people"!  Leftists often talk about "The people" but they usually know nothing about them -- as I found when comparing my findings with what was in the existing literature on the topic.

But since social scientists do in theory view sampling as important, when I presented them with some, they found it very hard to knock back.  They did manage to knock it back about 50% of the time but I mostly broke through eventually.  Since my conclusions were invariably the diametric opposite of what Leftists believe (facts and Leftism have a VERY uneasy relationship) it would only have been the unusually open-minded editor who published my stuff.  And it was.  There were three editors who published my writings repeatedly while other editors would be good for only one or two acceptances  -- generally on rather technical subjects that were not too alarming.

You might think that an ability to write well in an academic way would generalize  to other fields of writing.  Not in my experience. Being aware that I was doing well with academic writing, I tried on a couple of occasions to write short stories.  I submitted them to various publications with zero success. I will probably put them online the day before I die.  So even creative  writing does not generalize from one field to another.

So to be creative you have to have ideas and you have to work on them but that is about all you can say about creativity in general.

An interesting thing that I note is that, although I say many "outrageous" things on my blogs, I rarely get abusive email and comments from Leftists in response.  I think it means that academic-standard argument leaves them lost so they avoid reading it at all.  Must keep that bubble intact!

The ancient Greeks had an interesting theory of creativity.  They felt that there was a "muse" behind each creative person.  The muse was a spirit being who was the real creative force.  The muse would for instance "send down" the words that a writer was writing, with the writer himself having only a minor part in the final product.

That is not quite as silly as it sounds.  I have experienced something like that.  Sometimes the words I want to write pour out and it is a real challenge to get them all written down before they go away.  All that it really means, I guess, is that we can think a lot faster than we can write. But I don't blame the Greeks for thinking what they did.  It does feel the way they describe it.


I don't think that anything I have said so far is terribly controversial so let me stir the pot a bit:  I think Hitler was a good artist.  Just the fact that everybody says he was not tends to lead me to that view.  In the simple world of propaganda, ascribing anything good to him would risk attack as morally reprehensible. But not much in life is all black and white so I see no moral risk at all at holding that there might have been one praiseworthy thing about him.  But let me nonetheless explain in two parts:

Google the words "Hitler" and "paintings" together and click "images" and you will see a veritable gallery of the many paintings and watercolors that Hitler produced in his youth.  I think a lot of them are quite good.

I cheerfully admit that I know nothing about art but I doubt that anybody does.  When skilled forgers and copyists regularly fool art critics and when random blobs of paint smeared onto a canvas by some ape or other simian are warmly praised, I think I would be embarrassed to claim that I know anything about art.  I think I would be calling myself a fool.

What rather gets me is when a painting worth millions is discovered to be a forgery, its value suddenly drops into the mere thousands.  Clearly, an evaluation of its worth reflected something other than the goodness of the art concerned -- snobbery perhaps.

So that is my first blast on the subject.  I don't think that Hitler was a great artist but he seems as good as any other outside that top range.

My second blast is that Hitler's real creative achievement was not in painting at all.  He had clear artistic instincts but they reached greatness in politics.  And I can divide that into two parts.  He was an indisputably mesmerizing orator who made most of Germany fall in love with him and his vision.  If that is not great creativity, tell me what would be.  Nobody before or since has been so successful in oratory.

From reading his inaugurals and other speeches, Abraham Lincoln probably was as good at oratory in his day but he was an old fraud too.  Lincoln convinced Americans that 600,000 of their young men had to die to abolish slavery -- when no other  nation on earth needed to shed a single drop of blood to abolish slavery.

And, getting back to Hitler, part of his political genius did include a visual component.  He was largely responsible for the design of Nazi rituals, displays and rallies and they helped make his speeches and rituals so emotionally powerful.  So that was clearly a remarkable artistic achievement. And that too would seem to be a pinnacle achievement.  I  know of no other political rallies and speeches that are re-run on TV even a thousandth as often as Hitler's.

All those re-runs surely attest that even we who are long past any sympathy with his aims are still powerfully affected by the speeches and spectacles involved. How could such a failed and disastrous politician still figure so largely in our minds?  There was clearly something about him that was way outside the ordinary.  He still fascinates.

So Hitler may have been merely a good painter but as a political persuader he was the best ever.  He was supremely creative in only one field but it was in a field that was, regrettably,  immensely  influential  -- JR.


Media Hide Facts, Call Everyone Else a Liar

By Ann Coulter ·

When Donald Trump said something not exuberantly enthusiastic about Mexican immigrants, the media's response was to boycott him. One thing they didn't do was produce any facts showing he was wrong.

Trump said: "When Mexico sends its people, they're not sending their best. They're not sending you. They're not sending you. They're sending people that have lots of problems, and they're bringing those problems to us. They're bringing drugs. They're bringing crime. They're rapists. And some, I assume, are good people."

The first thing a news fact-checker would have noticed is: THE GOVERNMENT WON'T TELL US HOW MANY IMMIGRANTS ARE COMMITTING CRIMES IN AMERICA.

Wouldn't that make any person of average intelligence suspicious? Not our media. They're in on the cover-up.

A curious media might also wonder why any immigrants are committing crimes in America. A nation's immigration policy, like any other government policy, ought to be used to help the people already here - including the immigrants, incidentally.

It's bad enough that immigrants, both legal and illegal, are accessing government benefits at far above the native rate, but why would any country be taking another country's criminals? We have our own criminals! No one asked for more.

Instead of counting the immigrant stock filling up our prisons, the government issues a series of comical reports claiming to tally immigrant crime. The Department of Justice relies on immigrants' self-reports of their citizenship. The U.S. census simply guesses the immigration status of inmates. The Government Accounting Office conducts its own analysis of Bureau of Prisons data.

In other words, the government hasn't the first idea how many prisoners are legal immigrants, illegal immigrants or anchor babies.

But there are clues! Only about a quarter of California inmates are white, according to a major investigative piece in The Atlantic last year - and that includes criminals convicted in the 1960s, 1970s and 1980s, when the vast majority of California's population was either black or white.

Do immigration enthusiasts imagine that more than 75 percent of the recent convicts are African-American? Blacks have high crime rates, but they make up only about 6 percent of California's entire population.

A casual perusal of the "Most Wanted" lists also suggests that the government may not have our best interests in mind when deciding who gets to live in America.

Here is the Los Angeles Police Department's list of "Most Wanted" criminal suspects:

-Jesse Enrique Monarrez (murder),

-Cesar Augusto Nistal (child molestation),

-Jose A. Padilla (murder),

-Demecio Carlos Perez (murder),

-Ramon Reyes, (robbery and murder),

-Victor Vargas (murder),

-Ruben Villa (murder)

The full "Most Wanted" list doesn't get any better.

There aren't a lot of Mexicans in New York state - half of all Mexican immigrants in the U.S. live in either Texas or California - and yet there are more Mexican prisoners in New York than there are inmates from all of Western Europe.

As for the crime of rape specifically, different groups have different criminal proclivities, and no one takes a backseat to Hispanics in terms of sex crimes.

The rate of rape in Mexico is even higher than in India, according to Professor Carlos Javier Echarri Canovas of El Colegio de Mexico. A report from the Inter-American Children's Institute explains that in Latin America, women and children are "seen as objects instead of human beings with rights and freedoms."

All peasant cultures have non-progressive views on women, but Latin America happens to have the peasant culture that's closest to the United States.

The only reason our newspapers aren't chockablock with reports of Latino sexual predators is that they are too busy broadcasting hoax news stories about non-existent gang-rapes by white men: the Duke lacrosse team (Crystal Gail Mangum), University of Virginia fraternity members (Jackie Coakley) and military contractors in Iraq (Jamie Leigh Jones).

In fact, the main way we find out about Hispanic rapists is when the media report on dead or missing girls - hoping against hope that the case will never be solved or the perp will turn out to look like the rapists on "Law and Order." When it turns out to be another Latino rapist, that fact is aggressively suppressed by the media.

New Yorkers were horrified by the case of "Baby Hope," a 4-year-old girl whose raped and murdered body turned up in an Igloo cooler off of the Henry Hudson Parkway in 1991. After a 20-year investigation, the police finally captured her rapist/murderer in 2003. It was Conrado Juarez, an illegal alien from Mexico, who disposed of the girl's body with the help of his illegal alien sister.

New York City is the nation's media capital. But only The New York Post reported that the child rapist was a Mexican.

In 2001, the media were fixated on the case of Chandra Levy, a congressional intern who had gone missing. All eyes were on her boss and romantic partner, Democratic congressman Gary Condit. Then it turned out she was assaulted and murdered while jogging in Rock Creek Park by Ingmar Guandique - an illegal alien from El Salvador.

There was a lot of press when three Cleveland women went missing a decade ago. By the time they escaped in 2013 from the sick sexual pervert who'd been holding them captive, it was too late for the media to ignore the story. The girls hadn't been kidnapped by the Duke lacrosse team, but by Ariel Castro.

Now, get this: While investigating Castro, the police discovered that he wasn't the only Hispanic raping young girls on his block. (All in all, it wasn't a great street for trick-or-treating.)

Castro's erstwhile neighbor, Elias Acevedo, had spent years raping, among many others, his own daughters when they were little girls. The New York Times' entire coverage of that case consisted of a tiny item on page A-18: "Ohio: Life Sentence in Murders and Rapes."

The media knew from the beginning that the monstrous gang-rape and murder of Jennifer Ertman, 14, and Elizabeth Pena, 16, in Houston in 1993 was instigated by Jose Ernesto Medellin, an illegal immigrant from Mexico. But over the next decade, with more than a thousand news stories on that case, the fact that the lead rapist was a Mexican was not mentioned once, according to the Nexis archives.

Only when Medellin's Mexicanness was used to try to overturn his death sentence did American news consumers finally find out he was an illegal alien from Mexico. (After years of wasted judicial resources and taxpayer money being spent on Medellin's appeals, he will now be spending eternity way, way south of the border.)

Who is this media cover-up helping? Not the American girls getting raped. But also not the Latina immigrants who came to the U.S., thinking they were escaping the Latin American rape culture. So as not to hurt the feelings of immigrant rapists, the media are willing to put all girls living here at risk.

No wonder the media is sputtering at Trump. He broke the embargo on unpleasant facts about what our brilliant immigration policies are doing to the country.



For more blog postings from me, see  TONGUE-TIED, EDUCATION WATCH INTERNATIONAL, GREENIE WATCH,  POLITICAL CORRECTNESS WATCH, AUSTRALIAN POLITICS, and Paralipomena (Occasionally updated) and Coral reef compendium. (Updated as news items come in).  GUN WATCH is now mainly put together by Dean Weingarten. I also put up occasional updates on my Personal blog and each day I gather together my most substantial current writings on A WESTERN HEART.

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1 comment:

Malcolm Smith said...

I agree with your comments about creativity and Hitler. I myself can write pretty good prose, but I could not write a poem to save my life. And don't get me started on my tin ear regarding music!
Hitler's paintings do, in fact, look pretty good, considering that he did not spend his whole life developing the skill. But you really should read The Young Hitler I Knew by August Kubizek (I believe it can be downloaded as a pdf) to grasp the absolute brilliance of the teenaged Hitler with respect to architecture. Indeed, I suspect that if he had been allowed into the appropriate academy, and allowed to follow that career, the history of the world would have been very different.